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Her work begins with an exploration of the conditions under which sound is produced.
She observes vibration and resonance inside instruments, as well as signals and energy flows within electronic systems, treating these physical processes as compositional material.
Working across instrumental, electroacoustic, and multimedia contexts, she creates structures in which sound can emerge, shift, and interact.
Recently, she has been expanding this approach into ensemble and performative settings, exploring the relationships between electronics, space, light, and performers’ movements.